Pochoir print in colours on stiff cream wove paper
Sheet: 31.5 x 24.5 cm; 12 3/8 x 9 5/8 in
Printed to the full sheet
Framed: 56.5 x 49 x 3 cm; 22 1/4 x 19 1/4 x 1 1/8 in
Unsigned as issued. There was a separate signed edition of 48 impressions printed from the same stencils. Printed at the Atelier Crété, Paris. Published by Christian Zervos, Paris in Cahiers d'Art No. 1-4.
Series: From the edition issued for the album: Cahiers d'Art, 1934.
In 1934, the renowned Spanish artist Joan Miró made two surrealist pochoir prints for the esteemed magazine 'Cahiers d'Art.' The composition, emblematic of Miró's distinctive surrealist style, showcase his innovative...
In 1934, the renowned Spanish artist Joan Miró made two surrealist pochoir prints for the esteemed magazine "Cahiers d'Art." The composition, emblematic of Miró's distinctive surrealist style, showcase his innovative approach to blending abstract forms with symbolic imagery. Through vibrant colours, whimsical shapes, and dreamlike figures, Miró imbues his prints with a sense of mystery and intrigue, inviting viewers into his imaginative realm. With a keen eye for juxtaposition and a penchant for the unexpected, Miró's surrealiste pochoir prints challange conventional notions of reality and inviting contemplation on the nature of the subconscious mind. The exact edition size is unknown, but it is very rare to find such fine impressions with unfaded colors. The image is one of the most famous compositions of this early Miró period.